>You still think they should be free? I just don’t understand that way of thinking…
I didn’t say they *should* be free. I am just pointing out the fact that some fonts are free. (and I am using the term “free” loosely here. Google pays for the fonts, and Google gains a lot of money from us)
>Why is free an advantage over quality?
They are both advantages. Each service has its pros and cons. If one service had everything better then we would all use that service and the others would have no point to exist.
Hmm I don’t understand why you would rely on a 3rd party at all for fonts. Seems overkill. There’s plenty of optimized types out there, that can be loaded via your own management system from your own server. Maybe I’m missing something but I come from graphic design roots – fonts don’t change enough nor are diverse enough to justify a service. There’s basically 8 font faces in total… All fonts fall into these 8
Yeah for this example, but all fonts too. Web safe fonts are simply dynamic antialiased and flexi-proportion as opposed to software based rendering trickery.
Humans have spent the last 90 years perfecting linotype Inc as an example…. To make it Web safe took like a month more. There’s just nothing more we humans/google can do to streamline tried and true type faces. Changing a pixel of data for 36pt header fonts does not warrant reliance on 3rd parties.
And I agree, pay for good fonts. There’s a reason adobe owns the proportions and spacing…. It flows on all displays. Open source cannot [legally] capture this artistic design essence. Imagine that 1px of change in a 12pt font instead of 36 header and you get the idea…. The readable is untouchable. Its all about the 12pt. Good fonts are locked down, give in, obey, pay :)
Google Web Fonts are downloadable, so you can have them on your own server without relying on any 3rd parties.
I am not sure what are the “industry standard design faces” that you talk about. Can you clarify, and let me know how much exactly they would cost to buy them with a license that would allow you to use them on any website without any kind of restriction?
@Zoom caslon, garamond, and gothic are examples of very established display faces. (as opposed to block faces like arial or times).
Gothic you may recognize – its such a clean font. Been around since the 40′s. Things like the proportion of lowercase a or how the tails of the e and s end in a way that implies great horizontal eyeflow. Line heights are important too – notice how tall the lower cases are, lends itself to “solid” sans face.
yes it s pricey but if your clients are A list or require work on par with the rest of their industry, its worth it…. Even if just for logotype and marketing/slider/sales regions (accents a more “open” block face underneath).
And a random thought to keep in mind – kerning is important. Almost all fonts will look rather unfinished at display size… until letter spacing is adjusted just right. That’s the big “secret” of typesetting hah. Css can sorta kern but not really. Use images so you can granular adjust big gun typesets or logos. Save the css for last resort sub-focal kern/shadow, like if h1 is getting dominated by content, can’t be bigger, and needs a bit more eye pull. Theres a massive difference in readability/pull between naked h1 and optimized h1. Use with care :)
Is Worth give a Look, and the fonts are inexpensive.
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